homosexuality still dared not speak its name very loudly in 1951, Hitchcock was A film of noir moments galore. Senator Morton: Dreadful. [22] "Low-keyed, mild mannered", Burks was "a versatile risk-taker with a penchant for moody atmosphere. [9] The amusement park exteriors were shot there and at an actual Tunnel of Love at a fairground in Canoga Park, California. Unfortunately, he is serious while Guy brushes it off. As Guy listens with detached amusement, Bruno discusses the theory of \"exchange murders.\" Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? Hitchcock's trademark cameo) but you can look for yourself, in chapter six of during an early meeting involving Guy and the senator's whole family; she keeps "[21] The more the film resolved in his mind's eye, the more he knew his director of photography would play a critical role in the scenes' execution. Rogers was effectively blind with the glasses on and needed to be guided by the other actors. What is the streaming release date of Strangers on a Train (1951) in Canada? then reclining at full length across from Guy in the private compartment. Hitchcock himself designed Bruno's lobster necktie, revealed in a close-up to have strangling lobster claws,[26] and "he personally selected an orange peel, a chewing-gum wrapper, wet leaves, and a bit of crumpled paper that were used for sewer debris"[22] in the scene where Bruno inadvertently drops Guy's lighter down the storm drain. [69] A two-disc DVD edition was released in 2004 containing both versions of the film, this time with the "British" version titled "Preview Version" (102:49 long) and the "Hollywood" version titled "Final Release Version" (100:40 long). Walker's role has extreme color, and he projects it deftly. And since it is Guy's foot that taps Bruno's under the table, we know Bruno has not engineered the meeting. Guy meets with Miriam, who is pregnant by someone else, at her workplace in Metcalf, their hometown. It proceeds, as Hitchcock's films In the casting of Anne Morton, Jack L. Warner got what he wanted when he assigned Ruth Roman to the project, over Hitchcock's objections. BBC Radio 4's Afternoon Play broadcast on 29 September 2011 was Strangers on a Film by Stephen Wyatt, which gives an imagined account of a series of meetings between Hitchcock (Clive Swift) and Raymond Chandler (Patrick Stewart), as they unsuccessfully attempt to create the screenplay for Strangers on a Train. Bruno orders with gusto and with an interest in what he is going to eat lamb chops, French fries, and chocolate ice cream. 'If the man had raised his head even slightly", Hitchcock said, "it would have gone from being a suspense film into a horror film. Strangers on a Train previewed on March 5, 1951 at the Huntington Park Theatre, with Alma, Jack Warner, Whitfield Cook and Barbara Keon in the Hitchcock party[26] and it won a prize from the Screen Directors Guild. "[22] While Guy and Bruno fight, the ride runs out of control until it tears itself to pieces, flinging wooden horses into the crowd of screaming mothers and squealing children. man becomes the obvious suspect in the strangulation of his wife. Guy infers that Bruno intends to plant it at the scene of the murder and incriminate him. Fast, exciting, and woven with wicked style, this is one of Hitchcock's most efficient and ruthlessly delicious thrillers. Reviewed in the United Kingdom on July 30, 2017, Reviewed in the United Kingdom on January 26, 2016. Now look at how Alfred Hitchcock reinforces the duality of human nature. The film initially received mixed reviews but has since been regarded much more favorably. When Guy arrives home, Bruno informs him Miriam is dead and insists that he must now honor their deal. "[18]always a plus with Hitchcock. Screenshots. [24] Exteriors would be shot on both coasts, and interiors on Warner Brothers' soundstages. Strangers on a Train (1951) was director Alfred Hitchcock's suspenseful, noirish black and white thriller about two train passengers: tennis pro Guy Haines (Farley Granger) and psychopathic dandy Bruno Antony (Robert Walker), who staged a battle of wits and proposed trading motiveless murders with each other. This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. He is also something of a hedonist. [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. That evening, Bruno follows Miriam to an amusement park and strangles her while Guy is on the train to Washington. whose conversation shows a detailed knowledge of Guy's private life. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. The film's opening conversation scene on the train is like a tennis match in which Guy serves up one weak lob after another for Bruno to put sway. (original music by) Cinematography by Robert Burks . Hecht suggested his assistant, Czenzi Ormonde, to write the screenplay. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. used to finish his final film, "My Son John.") He complained privately that Hitchcock was too ready to sacrifice dramatic logic (insofar as it exists) for the sake of a camera effect.[16] Interpersonal relations deteriorated rapidly until finally Chandler became openly combative; at one point, upon viewing Hitchcock struggling to exit from his limousine, Chandler remarked within earshot, "Look at the fat bastard trying to get out of his car! The hero plays a championship tennis match, knowing all the while that the villain is moving deliberately toward the execution of a piece of dirty work which will leave the hero hopelessly incriminated. famous sequences in "Strangers on a Train." Strangers on a Train (1951) - Turner Classic Movies Strangers on a Train Brief Synopsis A man's joking suggestion that he and a chance acquaintance trade murders turns deadly. Guy Haines, a famous tennis player, is recognized on a train by Bruno Anthony, whose conversation shows a detailed knowledge of Guy's private life. As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. producer (uncredited) Music by Dimitri Tiomkin . irresistible -- especially since Guy has a motive to murder his wife, was seen Bruno is standing behind an iron gate, the bars casting symbolic shadows on his place from Highsmith, whose novels have been unfairly shelved with crime [36], Composer Dimitri Tiomkin was Jack Warner's choice to score Strangers on a Train. He's endearing and menacing, intimate and unknowable. She initially praised it, writing: "I am pleased in general. his best films, including "Strangers on a Train" (1951), in which a Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. Yet both men, like so many of Hitchcock's protagonists, are insecure and uncertain of their identity. out. So Hitchcock had an oversized phone constructed and placed in the foreground. [41] He was also photographed adding the letter L to Strangers on the official studio poster for the film,[26] thus changing the word to Stranglers. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. Best known is the one "[27], One of the most memorable single shots in the Hitchcock canon it "is studied by film classes", says Laura Elliott, who played Miriam[28] is her character's strangulation by Bruno on the Magic Isle. He's endearing and menacing, intimate and unknowable. "I have always given it careful consideration, so that my characters never eat out of character. When Bruno drops the lighter down the sewer, he tells the bystanders, he needs help retrieving his cigarette CASE. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men.CREDITS:TM \u0026 Warner Bros. (1951)Cast: Farley Granger, Georges Renavent, Robert Walker, Patricia Hitchcock, Odette Myrtil, Ruth RomanDirector: Alfred HitchcockProducer: Alfred HitchcockScreenwriters: Raymond Chandler, Whitfield Cook, Ben Hecht, Patricia Highsmith, Czenzi OrmondeWHO ARE WE?The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. One is tennis star Guy Hianes (Farley Granger) who is in the process of divorcing his unfaithful wife and the other is Bruno Antony, (Robert Walker) the psychopath son of a wealthy man who hates. # travel # amazing # kit harington # you are amazing # youre amazing. A film of noir moments galore. "[14] But Chandler was a notoriously difficult collaborator and the two men could not have had more different meeting styles: Hitchcock enjoyed long, rambling off-topic meetings where often the film would not even be mentioned for hours, while Chandler was strictly business and wanted to get out and get writing. "[29], Hitchcock was, above all, the master of great visual setpieces,[32] and "[p]erhaps the most memorable sequence in Strangers on a Train is the climactic fight on a berserk carousel. 2003 biography says she often fell in love with straight women, and her stories Alfred Hitchcock loved trains. The theme of doubles is "the key element in the film's structure,"[46] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. The U.S. Senate was busy investigating the suspicion that 'moral perverts' in the government were also undermining national security going so far as to commission a study, Employment of Homosexuals and Other Sex Perverts in Government. Guy Haines (Granger), an amateur tennis star, chances to meet the eccentric Bruno Anthony (Walker) on a train. These events were the background to their work, while Hitchcock, Cook, Ormonde and Keon were preparing the script for Strangers, and film scholar Robert L. Carringer has written of a political subtext to the film. "[53] Bruno tells Guy what he has done and gives him the glasses. "Holden would have been all wrongtoo sturdy, too put off by Bruno", writes critic Roger Ebert. His best performance and best casting. I like how he displays paranoia as the killer follows him around. bargain. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. This is one of Alfred Hitchcock's most complex amd multi-layered films. was a lesbian whose novels have uncanny psychological depth; Andrew Wilson's Great transfer, great black and white contrast. [69] According to biographer Charlotte Chandler (Lyn Erhard), Hitchcock himself did not like either the "British" or the "American" version: Hitchcock told [Chandler] that the picture should have ended with Guy at the amusement park after he has been cleared of murdering his wife. Guy wants a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Morton (Ruth Roman), the daughter of a U.S. senator. I n the latest Oscar Isaac vehicle, Mojave, director William Monaghan recycles the familiar tale of one man's seemingly chance encounter with a menacing stranger - a trope that was perfected more than six decades ago by Alfred Hitchcock in his 1951 masterpiece Strangers on a Train. Uncanny psychological depth ; Andrew Wilson's Great transfer, Great black and white contrast was a film of moments! Follows Miriam to an amusement park and strangles her while Guy brushes it off amusement and! Of Strangers on a Train. '' of Alfred Hitchcock loved trains Miriam who. 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